General Issue (vol 4, issue 1)
- Theater of the Oppressed: Empowering Homeless Women by Elizabeth Woodson
- Venezuela’s National Music Education Program El Sistema de Orquestas: its Strengths, Weaknesses, and Interactions with Society by Michael Sy Uy
- Choral, public and private listener responses to Hildegard Westerkamp's École polytechnique by Marta McCarthy and Andra McCartney
Special issue on Flirting with Uncertainty: Improvisation in Performance (vol 4, issue 2)
Guest edited by Dr. Jesse Stewart (Carelton University)
- Some concepts around free improvisation in music by Carl Bergstrøm-Nielsen
- Creating A Dialogue through Improvisation in Cross-cultural Collaborations by Griselda Sanderson
- Musical Improvisation in Communities with Musicians and People with Learning Difficulties by Rii Numata
Future Theme issues:
- Musical and Artistic Mediations (view the call for papers; submissions due 1 June 2012) Guest edited by Dr. Eduardo de la Fuente (Flinders University)
© Music and Arts in Action | ISSN 1754-7105 | MAiA - Music and Arts in Action, Department of Sociology & Philosophy, The University of Exeter, Amory Building, Rennes Drive, Exeter EX4 4RJ, UK