• Special Issue: Transgressing and Reworking Social Boundaries Through Dance and Music
    Vol. 8 No. 1 (2022)

    We are delighted to present a collection of articles that explore the role of dance and music in transgressing and reworking boundaries. This is a compilation of studies in and from the Global South. Keywords in this volume cover: identities, boundary crossing, space, dance, music, meaning, performance, ethnography, belonging, gender, transgressing and creative citizenship.

  • Special Issue: Keywords for Music in Peacebuilding, Volume 2
    Vol. 7 No. 3 (2020)

    We are extremely happy to include in this volume experts and/or activists from music sociology, inclusive education, peace studies, transformative leadership, ethnomusicology, community music, spirituality and post-war reconstruction. The keywords found in this volume cover debates about identity and peacebuilding, notions of space, inclusion, sound communities and transitional justice.

  • Sounding and Performing Resistance and Resilience
    Vol. 7 No. 1 (2019)

    The analysis of resistance and resilience in the articles in this special volume of Music and Arts in Action illustrates the complexity of the terms, their definitional ambiguities and situated tensions when they are used in conflict contexts. Rigorous debates have underlined the contested nature of the terms resistance and resilience, whereby resistance is considered a means of destabilising interpersonal and state hegemony and resilience is variously seen as an individual strategy for survival and wellbeing or an intervention impacting upon socio-economic structures. Theoretical discord further highlights the need for careful and detailed ethnographic investigation. Thus, while it might be tempting to avoid the terms altogether as some critics argue, close, critical ethnographic reading of the particularities of sonic atmospheres, as well as their corresponding musical and performative dynamics can render productive the relationship between resistance and resilience as contributors to this volume show. Thus, rather than jettison these terms we encouraged our contributors, (the majority of whose research is based in protracted conflict contexts), to take up the challenge of examining their application through vernacular understandings in order to demonstrate how individuals embody, mobilise and strategise their effects in the sounds and performances of everyday life.

  • Special Issue: Keywords for Music in Peacebuilding
    Vol. 6 No. 2 (2018)

    Music in peacebuilding is an emergent field with interested scholars representing a variety of intertwined fields, from applied ethnomusicology to sociology, from peace and conflict studies to social movement studies. In addition to scholarly pursuits, there are numerous practitioners and activists who are involved in the work of music in peacebuilding, sometimes explicitly connected through their work to music and peacebuilding and sometimes implicitly. The Min-On Music Research Institute (MOMRI)[1], based in Tokyo, Japan, is possibly the only research organisation in the world dedicated solely to music in peacebuilding. There is a growing interest in music in peacebuilding (and music, conflict and violence), but the one thing that became abundantly clear is that we did not share a collectively agreed upon vocabulary to effectively discuss matters of shared concern. After many discussions and break-out groups failed to develop consistent frameworks, MOMRI decided that we should attempt to find a common set of reference points and discourses to facilitate collaborative work in the future. This special issue of Music and the Arts in Action on Keywords for Music in peacebuilding is the result of this process.



  • Vol. 1 No. 1 (2008)

    The first issue of Music and Arts in Action with invited contributions.