The journal Music and Arts in Action (MAiA) emerges from international, cross-disciplinary work that takes a wider, holistic approach in researching the dynamic role of music and the arts in social life and cultural experience. Cutting-edge work in this area considers how aesthetic experiences and artistic forms are unconsciously, semi-consciously and actively used by individuals and groups to structure social relations, situations, environments and action. Simply put, how, when and where do music and art do something, how do music and art matter?
Vol 3, No 3 (2011): Special Issue: Music and Migration
Table of Contents
Editorial
| Editorial | |
| MAiA Editorial Team | 1-2 |
Articles
| Music and Migration: A Transnational Approach | |
| Nadia Kiwan, Ulrike Hanna Meinhof | 3-20 |
| Singing a New Song? Transnational Migration, Methodological Nationalism and Cosmopolitan Perspectives | |
| Nina Glick Schiller, Ulrike Hanna Meinhof | 21-39 |
| Salsa/Bhangra: Transnational Rhythm Cultures in Comparative Perspective | |
| Ananya Jahanara Kabir | 40-55 |
| "6/8 rhythm" Meets "lova-tsofina": Experiencing Malagasy Music | |
| Jenny Fuhr | 56-76 |
| Music of the Multiethnic Minority: A Postnational Perspective | |
| Jan Sverre Knudsen | 77-91 |
| Transnational Ties and Local Involvement: North African Musicians In and Beyond London | |
| Marie-Pierre Gibert | 92-115 |
| Representing an "Authentic Ethnic Identity": Experiences of Sub-Saharan African Musicians in an Eastern German City | |
| Inken Carstensen-Egwuom | 116-135 |
| Understanding Dislocal Urban Subcultures: The Example of the Hardcore Scene, from Tokyo and Beyond | |
| Alain Mueller | 136-147 |
| When Migration Ends, When Music Ceases | |
| Philip Vilas Bohlman | 148-166 |
© Music and Arts in Action | ISSN 1754-7105 | MAiA - Music and Arts in Action, Department of Sociology & Philosophy, The University of Exeter, Amory Building, Rennes Drive, Exeter EX4 4RJ, UK